Monday, December 20, 2010

Ontario License Bureau Buying Trailer



Tuesday, December 14, 2010

Tall Plus Size Women's Clothing

Comic Locations

illustration Justin Van Genderen

Wonder! The rest is
here.

forgot: thanks to noemastudio for reporting!

Sunday, December 5, 2010

Insurance Write Off Letter Sample

From NY to Portimão

humbug: if you can run in Portugal in Portimao to see the exhibition of Klaus , architect, cartoonist and observer of the finest in the world of architecture emblazoned with a capital.

The exhibition, open until 26 December, is polycentric and designed to interact with the city and urban space. All information
Blog Klaus here and here, where I draw and read as follows:

KLAUS.TOON - PHOTOGRAPHIC MARATHON

Klaus.Toon The exhibition: From New York to Portimão, Which will not be displayed in Portimão from November 26 to December 26, 2010, Has Been Conceived as a mixture Between a traditional gallery-enclosed exhibition and a piece of guerrilla art, Where the cartoons make part of a performance Where Art and City Interactive.

Organised in a Threefold structure, That starts at the Teatro TIME Another with vertex at the Praça da República and the third meeting point in Bar Old Gate (Travessa Manuel Dias Baron) the aim of the exhibition is to turn the streets of Portimão's old center into the gallery space by displaying the rest of the works on the shop windows of different stores located in Rua Right, Rua Diogo Tomé, Republic of Alameda Street and Vasco da Gama.

Following this interaction logics of the Order of Architects - Delegation Algarve launches a photographic marathon Where we invite everyone to record the different Situations fostered by the presence of the exhibition in the street. We are looking for the pictures depict That funny, weird, surprising or just casual Interactions Between people and the exhibition, But Also pictures of the cartoons themselves, either in isolation or in context, series of pictures, or whatever other ideas the photographers want to show.

The photos will be uploaded on a Klaustoon’s Flickr account, and a selection of them will be shown in Klaustoon’s Blog. Also, the best photos will be awarded a cartoon of their choice once the exhibition is over.

We want your photos! Please, send them to klaustoons@gmail.com.

Wednesday, December 1, 2010

Drug Mentioned In Ya Ya Sisterhood

Lemuri

venerdì 17 dicembre alle ore 21.00
Auditorium Concordia
via interna 2
Pordenone

Ingresso gratuito
info

INVITO A TEATRO
LEMURI THE VISIONARY
of Centrone, De Vita, Enria

WHEN THE MUSIC AND THE COMIC THEATRE MEET

A quirky musician dandy, locked up in his hermitage metropolitan travels through the visions inspired by objects around it and find your own forgotten past.
rediscovers the countryside, people, tastes, smells of its territory. Vittorio
Centrone, flanked by some actor-musicians singing 16 original songs that tell the story of Lemurs enriched by the projection drawings by Giulio De Vita. Directed by Gianluca Enria.

Vastagamma A production made by EMC2 (Roma), co-edited with the Province of Pordenone, Certificate "Typically Friulano ".

Outbox also illustrated book with music CD attached edited by red men that will be presented December 10 at 18.00 at the Council Chamber of the Province of Pordenone.

Brief biography of the authors.

VITTORIO CENTRON
is the author of the history and music from the LEMUR project and plays the protagonist.
artistically as a musician and singer was born in Pordenone in the 80's as a member of the "Futuritmi" rock band that belongs to the famous "Great Conspiracy".
In 90 'becomes a singer and author and moved to Milan and then to Rome where he currently resides.
During his carriera partecipa a numerose trasmissioni televisive in qualità di ospite e di autore di canzoni.
Si ricordano in particolar modo Sanremo 1990 e D.O.C. di Renzo Arbore con i Futuritmi, la fortunata trasmissione Passaparola come cantante dell’Orioles Band, Sanremo 2003 come autore della canzone Chi sei non lo so cantata da Verdiana.
Nel 2004 canta la canzone Dragostea Din Tei che diventa una Hit di successo mondiale.
Nel 2008 comincia ad occuparsi di teatro e partecipa come autore, attore e cantante alla commedia Karma Party con Magda Gomes e allo spettacolo Chroma attualmente in Tourneè nei teatri italiani.

GIULIO DE VITA
Pordenone, 1971. It is one of the most famous Italian cartoonists worldwide. Start
to 16 years as an advertising designer. In 1993 he made his first balloon Lazarus Ledd , then Marvel Italy, The Power and the Glory . In 1999 he landed at the international market, which established him as one of the most popular designers of the European scene with such titles as Les Ombres de la Lagune , The Décalogue , James Healer , Wisher, and the recent Kriss de Valnor . In 2004 he created the series Kylion for Disney.
He made album covers for bands, music videos and special effects consultancy; character-design per il film di animazione fumetti divulgativi e pubblicitari, libri illustrati.
Vive e lavora a Pordenone.

(testo ripreso dal comunicato ufficiale)

Wards Population Genetics And Evolution Lab

Un appello per Matteo

Ricevo e volentieri inoltro questo simpatico appello dell'amico Matteo Corazza, già regista de Il Mostro Tossico



oltre che fumettista e cantante dei Boyz Slenga .



Ciao amico/a d'atavico affetto

If we have not yet heard the phone, pleading advance here with my insistent request
If your silence or denial of a forger my phone rant.
I come to the crux of the matter seriously and I complete the writing as Director of Production of the horror film "Lost in the Devil's Country" by director Matteo Corazza Prato.
As the request comes to me is of the utmost seriousness and professionalism.

Sunday, December 5 will turn the first scene of that film, a scene in a movie theater in 1960 in Ponte di Piave (search for a likely location for these years has led us there).
The film in fact is part of the current horror / fantasy auteur of the '80s (the trilogy "The Home of Sam Raimi to name only one example) and will be based on the story of a gang of criminals on the run from police who found shelter in a hovel in the countryside, a place of mystery events and appalling evil.
There will also be concessions in flashbacks to the 60s as the scene in question.

What you apply for and participate as an appearance at the scene. It will be a scene from 'mass' and your presence I would be very helpful to be able to fill the auditorium of the cinema.
Make an effort, the Christmas Eve as I understand them. If you want to do a tour together.
But I come to the serious part where you decide give me a hand.

Let's start with places and times:

Ponte di Piave (TV) - Via Gasparetti
old cinema, 2. The structure will be heated


12.00 - Notice and registration appeared
From 12.00 to 14.00 - Dressing, makeup and hair appeared.
After accommodation in the hall.
From 14.00 to the bitter end (but before 20.30) - Shooting scene

These are the details of timetables. Of course, this is a short scene, it could be concluded well before the set time. Depend on the application of all.

Things that asks you if you decide (I sure hope so) to accept:

1. Come now partially dressed and coiffed like the fashion of those years. Remember that it is a Saturday night in 1960 so it's fine and dandy incravattato clothing is more casual and a sweater like that (we are in a movie theater in a little town where it is shown the horror film "The mask of the devil" by Mario Bava)
2. It is especially important because the upper part of the scene will take place predominantly in the room but if you also have pants or skirts and shoes can also be used for relating the scene at
3. If there are accommodations to do the costume department, makeup and wigs is at your disposal for assessments, improvements and additions
4. There are dressing rooms, heated rooms or tents if you need to change
5. However, brought a warm coat, gloves and hat. You can keep them until you need to turn
6. However, a service will be active "rest" with hot drinks. For lunch you will instead provide for autonomy in before 12:00
7. Bring a good dose of patience because there will be a long process and expectations. Prepared jokes and games for the defendants
8. You will still be absolutely hilarious
9. Say you come
10. Will be mentioned in the credits
11. Extend an invitation to friends, relatives, wives, husbands, boyfriend, children
12. The required age is 16 to 50 years

I thank you right now. Please, answer me by email as soon as possible (but no later than Thursday) and bring back your name, age, (mail) that will be recorded in the database of the official casting.
If you have doubts about the clothing contact Edy De Marco, the costume designer to the number 3491750921 or mail edy.yde @ libero.it.

THANK

Matteo Corazza
email: Matteo_Corazza@libero.it

Monday, November 29, 2010

Breathe Snowmobile Exhaust

1915-2010

Friday, November 26, 2010

Dream Screen Lamaze Repair

Zio Ben

Still in the field of reporting, the great Ben Katchor :

Should I Go To Doctor For Bloody Stools

Mister X

Mister X non ha bisogno di presentazioni. Paul Pope ha pubblicato e commentato sul suo blog le prime tre tavole del fumetto di Dean Motter, disegnate da Paul Rivoche.

Tuesday, November 16, 2010

What Can Be A Good Name For A Japanese Band

ALE + ALE A PN

L'ARCHITETTURA SECONDO ALESSANDRA PANZERI E ALESSANDRO LECIS
giovedì 18 novembre 2010, ore 21.00
sede dell'Ordine Architetti PPC - piazzetta Ado Furlan, 2/8 Pordenone

ALE + ALE (Alessandro Lecis e Alessandra Panzeri) sono illustratori. Si occupano di mondi possibili o semplicemente sognati.
Collaborano con case editrici (Mondadori, Feltrinelli, Einaudi, Laterza, Corraini, Frassinelli, The Corbaccio, St. Paul ...), magazines (Domus , International , Twenty , Rolling Stone, Elle , Urban , Terre di mezzo , Psychologies ...) and advertising illustrations.
have received major awards in international competitions:
Bologna Bookfair 2002, 2003 and 2007
Figures Future (Paris) 2002 and 2004 Biennial
illustration of Barreiro (Portugal) 2003
Meeting organized by the Order of Architects PPC of Pordenone and Center Training Pordenone (PFC), with the sponsorship and support of FVG del'ADI Library Giavedoni and Dreossi
Srl (text taken from the official press release)

Saturday, November 13, 2010

We The People Directions Avalon Hill

Fuori tempo utile - Le città del fumetto

Of late I've already been reports of it (eg here and here , here).
But why so late as this on the show Cities cartoon curated by Fondazione Franco Fossati and set up in March this year at Cartoomics 2010.
That exposure is obviously not the most visited, but I have found no evidence (and exhaustive review) here.

Friday, November 5, 2010

Driving Being Anaemic

Ultima mostra Galleria Vastagamma





This Is not a goodbye, it's au revoir!

Thursday, November 4, 2010

Baggy Sweatpants Where To Buy

ZeroGuide 2011

between work commitments and attempts to salvage the Gallery Vastagamma following the 'flood of the river Noncello , I have just time to report the post Matteo Stefanelli on new and how ZeroGuide always interesting.

Tuesday, November 2, 2010

Nikon Riflehunter 550 For Bow Hunting?

Solidarietà

Betty and Fred

Thanks guys for the solidarity!

Sudden Heavy Period Mucus

Sott'acqua

Gallery Vastagamma is over. Under three feet of water. With
equipment, materials and works.
The flood came without warning.
But now thanks to the installation of Joseph Zellaby Collovati performed by direct means playfully called to collect us to say: Long live Vastagamma!

A cycle ends.
Another begins.

picture David Zellaby , of \u200b\u200bcourse!

Updated: this article we dedicate today Pordenone.

Thursday, October 7, 2010

Plp Mathworks.matlab.r2007b

Daisies filled andujar sauce of peas


A few days ago I am a member of the Academy of chili, I could not "celebrate" the event with a recipe worthy of the membership: so here's the ravioli stuffed with the most classic Calabrian andujar resting on a delicate sauce of peas. The combination dell'anduja spicy with the sweet pea is 'stupendevole', almost touching. The result is worthy of a love marriage where you feel sexy in all its flavor but does not bother kept under control by the softness of the sauce.
Before leaving the recipe is only right to thank Loredana , which has inspired and given a name to shape of the pasta: daisies filled.

For the sauce of peas:
300 grams of frozen peas
extra virgin olive oil to taste
sparkling water to taste salt

Unfortunately, this is one of those preparations for which must go to 'eye'. The nice thing is that despite the peas are out of season, as should be used, you can use frozen ones that have been frozen in time as soon as collected, or buy a pack of frozen ones from supermarket. Obviously the first is the best thing I'm not even to say, even if they are not preserved anything: not preserved tomato, do not make a lot of stewed fruit, syrups not anything, but most importantly it is increasingly difficult to find fish, salted or in brine in the house. But no more talk, blend together the peas, half cup (about 75ml) of sparkling water (cold), the oil and a pinch of salt. Add more water or if you need more oil. Simmer the mixture obtained in this way for about ten minutes, even regular water or oil and salt and blend again until you get a puree. Pass through a fine sieve, let cool, cover with plastic wrap and keep refrigerated until time of service.

For the filling of Andújar:
400 grams of extra virgin olive oil to taste andujar
sparkling water to taste

Private andujar of the gut where it covers the content and work with a cutter. Add enough extra virgin olive oil and when very little water, until creamy and smooth. It must always be kept in mind that this is a filling that we should not make a cream, but something slightly more dense. Place in a sac-a-few and store until ready to fill pastry.

For the pastry:
210 grams of durum wheat
90 grams of flour 00 egg yolks 6
salt
natural mineral water to taste

Mix the flour with the egg yolks and a pinch of salt adding a little water if it were to serve until a smooth ball of dough, not sticky. Cover with foil and let stand in refrigerator for at least an hour.
Roll up the dough as possible, I used the roller of Kitchen Aid at full closure (8). Place half of dough on the filling of Andújar and cover with the other half of pastry. At this point it is essential to help with your fingers to remove air around the filling, and then proceeded to print with the tool round the stars, from last merge the two opposite edges of the round shape to get the daisy.
Lay the dough on a baking sheet covered with parchment paper and sprinkle with a little flour.

The dish:
Boil pasta in salted water. Heat the sauce of peas in the microwave. Serve the sauce spreading mirror and then put on it the daisies just jump in a little extra virgin olive oil. Garnish the dish with a strip of tomato fried in a little extra virgin olive oil.

Wednesday, August 18, 2010

Carolina Student Guide Ap Biology Lab Answers

Air Siciiana: pizza Avola almond parfait with curls of candied lemon sauce hot coffee, chocolate and cardamom

I do not know if you have this song:

If
do not know it is worth listening to you and drag you in spite of this hot afternoon of August in a small village in Sicily. Once you have arrived more or less in half and you hear this hot air and gently caress me torment you'll need something to give depth to and actually at this moment. It 's time to bring the palate a bit of this parfait conclude that this full-sensory immersion.

For the parfait:
5 eggs 400 grams of sugar (for meringue icing 100g, 100g for the "praline" to Beat the egg yolks 200g)
500 ml di panna da montare
150 grammi di mandorle pizzuta di Avola pelate
150 grammi di mandorle pizzuta di Avola non pelate
20 ml di acqua minerale naturale

Accendere il forno a 150 gradi; giunto a temperatura e infornare le mandorle in una piccola teglia, nel mentre porre sul fuoco un pentolino con 100 grammi di zucchero e 20 ml di acqua naturale. Appena lo zucchero inizia ad imbrunire leggermente aggiungere le mandorle e far caramellare per bene senza che si brucino. Quindi stendere il tutto su un foglio di carta forno ed aspettare che si freddi. Frullare grossolanamente il croccante di mandorle ottenuto e far raffreddare in frigo.
Separare i tuorli dagli albumi. Whip the egg yolks with 200 grams of sugar until they have tripled their volume. Place the mixture in the refrigerator. Meanwhile whip the cream and also put this in the fridge. Finally, beat the egg whites with 100 grams of sugar (who has the bimby it may be obtained from 100 grams of sugar, otherwise it can be bought separately already ground) until you get a very firm meringue. Add the cream to the yolks and these the meringue, then stir in the almond praline. Pour the mixture into molds and allow to rest for at least 24 hours, depending on the power of your freezer. E 'possible to make a large mold or small molds, or even many of those tiny chocolates. Personally I prefer
use of plastic cups because they are convenient at the time of extraction (just engrave and cut the plastic) and give that a 'nice' (as Michael would say) a striped pattern.

For curls of candied lemon:
1 lemon 2 tablespoons granulated sugar
1 / 2 tablespoon of natural mineral water

Peel the lemon with a potato peeler. Obtained from the skin, without any trace of white, get a julienne.
Place a pan with sugar and water. When the sugar starts to brown add the julienne of lemon and cook until all the sugar is caramelized. Pour the caramel on a marble slab covered with parchment, and quickly pull out the pliers individual curls of lemon from the mass of caramel, so that we can individually cool.

For the sauce of coffee, chocolate and cardamom:
300 ml of coffee, I used the coffee Coral
150 grams of chocolate Amedei Toscano Black 70%
5 grams of cardamom, sugar to taste

Crush cardamom in a mortar (or alternatively cut with scissors individual pods) and Infuse in freshly brewed coffee for an hour. Strain thoroughly and set aside.
knife to chop the chocolate, then place on fire with the filtered coffee. Allow to cool to the need to adjust the consistency by adding more chopped chocolate or a thickener such as xanthan, and adjust the sugar sauce.

Serve by pouring the sauce warm in the mirror at the bottom of the pot, place over the still frozen parfait and finally garnish with curls of candied lemon.
normally be safe to wait a few minutes before serving frozen desserts, but given the jumps tipieda is essential that the frozen desserts, because of its intrinsic nature, Serve ice cream is still.

The combination is with the past Pantelleria Monasta 2000 Salvatore Valenza . That of course, as you repeat the same Savior if you are going to find it, should not be * quite * served cold, even a history of Pantelleria worthy of the name (and unfortunately there are not many in my modest opinion) should be drunk between 12 and 15 degrees , to be able to enjoy all the immense bouquet.

It 's also true that a wine like the monastic does not need a match to be enjoyed. I find it wonderful as a wine company, good company. (=


Wednesday, July 28, 2010

Lupus And Skin Blistering

Hooray for simplicity: Ajo, Ojo


big party, this even two months after a short distance from each other! d =
I must say that the past weekend in Rome with a mild climate and ideal, a sunny kitchen that has just made sure I had a bit of time to focus not so much to cook, but how to put myself to do Photos ...

Few dishes are made in Italy on average bad as the simple dishes. It is not difficult these days to find paper in some restaurants / taverns / inns, and a paste ajo ojo, just as it is easy for a spaghetti improvised between Friends have as the main actor.

Usually what you do: you take the oil we throw in a bit of garlic and chili or you go on a low flame while you cook the pasta separately. This often means that the oil will burn, or you too will fry the garlic and burns, that burns hot pepper, or vice versa that the oil does not know anything (not oil). In all the cooking too much or too little risk of cooking make this absolutely does not digest.

In my ajo and ojo, but the idea is to enhance the individual components. For example, the oil should be used rigorasamente raw, while garlic and pepper are cooked with the pasta. To give that 'touch' more is to finish the bread crumbs and almond flour to absorb some excess oil and serve to temper the spicy chili.

For this recipe there are doses: the oil must be paid as far as I absorb the paste, so the chilli and garlic should be adjusted according to taste. I've used for two people: 1 2 chillies and 1 / 2 cloves of garlic.

It goes like this:
Cut the peppers lengthwise and remove seeds and then get a julienne. Clean the garlic depriving the soul, then chop it with a few drops of extra virgin olive oil until you get a very beaten up.
Toast in a pan of bread crumbs taken together with a pinch of almond flour and a pinch of salt. Pay close attention to this operation because the risk of burning everything is around the corner.

Place in a saucepan with natural mineral water. Prepare a pan to bake the spaghetti. As soon as the water boils turn the heat under the pan to the pasta, put on the chopped garlic and toast lightly. Add a ladle of boiling water the peppers into julienne strips and spaghetti. Then proceed to the cooking pasta risotto.
When pasta is almost cooked, the salt must be adjusted, always mindful that salt - red pepper and garlic are the ingredients that enhance each other.
Finally off the heat and whisk briskly skipping the pasta with the addition of raw oil. It 's important not to be afraid of the amount of oil! A ham is good and the dough may ask for a fair amount, it is important not to put it all at once. Ideally do this job in two, that while one person jumps the dough vigorously, the other to flush the oil from above.

My advice is to use the dispassionate on oil from monocultivar Nocellara Belice of Geraci.

Saturday, July 24, 2010

Muscle Percentage In Woman

Scallop and chilli sauce and corn mace , a salad of tomatoes and oregano


I made this recipe several times during this spring / summer, and perhaps it's time to go "off menu." It has immediately a good success among the tasters, but I think that only now has come to get a good 'balance' taste of the dish. I owe this mainly to Elisa that made me reflect on the lack of some element of freshness in the dish.

The basic idea is that the flavors of the scallops with corn, which I immediately connected the pleasure of the spice mace. Wondering what the mace? Then you should know that nutmeg (which we all know) also has an "outside" here! This is the mace "outside of the nutmeg. If now you are saying that it will be impossible to find time to tell you that Rome is very easy to just go to 'spice Emporio, in Testaccio in Rome and you'll find this and many other delicious spices. I knew the mace to the case: in the winter during a series of tastings at ' AIS Rome this hint of mace had become the recognized' fetish 'Sommelier of Luciano Mallozzi, so that he felt' everywhere ', so it was not unthinkable to continue to follow its tastings without trying this mace. The meeting was love at first sight, or should I say at first bite.
If you do not know what he's talking about then I suggest you go and try, or just rely on the scent of nutmeg image a bit larger but less pungent and aromatic with hints of delicate slightly sweet.

For the corn sauce:
150 grams of steamed corn. I tend not to use semi-finished products, but even nowadays it is not easy to have a real steam oven at home, so the easiest thing is to buy the already cooked cobs found in some supermarkets as an alternative or even some powder box corn. In the latter case it is important to drain and rinse the corn and over again before use.
1 onion bianca
1 presa di sale grosso
1 pezzettino di alloro
macis q.b.
olio evo q.b.

Pulire la cipolla e tagliarla a julienne. Porre la cipolla in una tegame insieme alla presa di sale grosso ed al pezzettino di alloro. E' importante dosare bene l'alloro che è un erba aromatica *molto* intensa, considerate che quando si prepara la cipolla una foglia intera la si mette in 5 chili di cipolle. Quindi porre tutto su fuoco vivace fino a quando le cipolle non avranno buttato l'acqua; a questo punto abbassare la fiamma e lasciar caramellare fino in fondo. E' fondamentale che la cipolla caramelli tutti gli zuccheri, mediamente non ci possono volere meno di 40 minuti per cuocere an onion properly. If you were to stick during cooking lightly on the bottom of the pan, then help yourself with a few drops of mineral water.

When the onion is cooked, add the corn reached previously drained and rinsed, add a ladle of vegetable stock (or alternatively mineral water) and cook for another 10 minutes on high heat.

Place in a blender and blend with the mace for a long time with the help of little more broth if it takes is a little extra virgin olive oil. Finally
filter with a fine sieve and set aside for the service.

For the salad Tomato:
a San Marzano tomato red and hard
extra virgin olive oil salt to taste oregano to taste

Place in a saucepan of boiling salted water. Slightly affect the skin of the tomato and blanch in water. Before removing the skin to cool the tomatoes in ice water. Will help to keep it hard. Then cut the tomatoes into 4 pieces, remove seeds and cut into julienne strips obtained petals (a julienne biggest match type will do). Sprinkle the julienne
thus obtained with a little salt and oregano oil.

The scallop
Scottare appena la capasanta su una padella rovente con un goccio di olio evo. Quindi impiattare ponendo la salsa di mais sul fondo del piatto l'insalatina di pomodori a raggiera e la capasanta su di essi. Completare il tutto con un pizzico di origano, pochi soffi di sale integrale e qualche goccia di olio evo.


Saturday, June 26, 2010

Thick White Cream After Ovulation

Variations on a theme: The quail

Non è possibile, non è possibile far passare anche il mese di Giugno senza un post nuovo. Mi rifiuto! E per quanto avrei aspettato ancora per fare delle foto più decenti al piatto, eccomi a raccontarvi lo stesso di questo piatto.


Al centro del piatto abbiamo il petto della quaglia ripieno di rucola, mandorle e tartufo nero di Palazzolo Acreide su salsa di melone di Cantalupo; quindi sullo sfondo vediamo le cosce caramellate nel miele di timo; mentre sulla destra è appoggiato il filetto cotto nel fumo.

Questo è stato il piatto delle mie ultime cene a domicilio, ora che è andato "fuori menù" lo metto a disposizione di chi mi ha chiesto la ricetta essendosi perso qualche passaggio durante la preparazione.

Cosa serve: anzitutto servono le quaglie, calcolate una quaglia a persona più una o due di scorta o per eventuali bis.
La prima cosa da fare è "spaccare" la quaglia, ovvero dividere i due petti, recuperare i due filetti e quindi pulire le due cosce avendo cura di togliere tutta la pelle e non lasciare piume.
Spaccate le quaglie è importante conservare in frigo le varie parti, io consigli di usare un piccolo vassoio ricoperto di carta forno su cui adagiare la carne a sua volta ricoperta a un ulteriore strato di carta forno; poi pellicolare il tutto prima di porre in frigo.

Una volta riposte le quaglie in frigo, è ora di iniziare con le preparazioni vere e proprie. Anzitutto la salsa di melone di Cantalupo:
8 carcasse di quaglie (ovvero quello che è restato dopo aver spaccato le quaglie)
1 spicchio di melone di Cantalupo ben maturo
5gr di biconcetrato di pomodoro
2 pomodori san marzano
1/2 carota
1/2 costa di sedano
1/2 cipolla bianca
3l e 1/2 di acqua minerale naturale (liscia).
sale q.b.
xantana q.b.

Preriscaldare il forno a 180 gradi. In una pentola di abbondante capacità mettere a bollire dell'acqua. Incidere i pomodori e velocemente spellarli nell'acqua bollente. Tolti i pomodori mettere i resti di quaglia nell'acqua per 2 minuti quindi scolarli e porli su una placca da forno e infornare fino a quando le ossa non saranno color tabacco. Attenzione è FONDAMENTALE che le ossa NON BRUCINO. Poco prima di uscire le ossa dal forno aggiungere sulle stesse il biconcentrato di pomodoro e lasciare in forno per altri 5 minuti. Al termine porre il tutto in una pentola capiente, aggiungere la macedonia di pomodoro senza la buccia ed i semi la carota, la cipolla e il sedano; coprire di acqua e portare a bollore. Dal bollore contare a sobbollire per un'ora e mezza. Trascorso questo tempo filtrare e continuare a far sobbollire fino a che la salsa non sarà completamente ristretta (deve evaporare almeno per 2/3 ). In questo frangente non è importante pensare alla densità.
Tagliare a cubetti la fetta di melone, metterne un quarto nel frullatore insieme alla salsa ristretta. Frullare a lungo aggiungendo altro melone se serve, il sale e la xantana se serve.

to his chest filling:
75 grams of rocket
100 grams of almonds
40 ml of carbonated water ice
25 grams of black truffles of Palazzolo Acreide (or even Norcia)
extra virgin olive oil salt to taste

In a blender put the powerful water rocket and almonds. Blend all the ingredients adding oil and truffles. Then season with salt. It must be quite a tasty filling, the texture grainy enough to be inserted into a pastry bag.
Cut the breast of quail with a Paring knife for the width, so an inner bag della dimensione di un dito. Quindi riempire tale sacca con il composto di rucola mandorle e tartufo. Avvolgere i petti ripieni in carta forno, pellicolare ed attendere il momento della cottura.

Per il filetto:
300ml di acqua minerale naturale

Riporre in tè in due filtri di carta decolorata. Portare l'acqua 95 gradi. Versare l'acqua in un piccolo contenitore dove dentro sono stati posti i filetti di quaglia e le bustine di tè. Coprire con alluminio e lasciare in infusione per almeno un ora.

Le cotture:
Every part of the quail will have a double cooking. The thread has its first firing in infusion, while the breasts and thighs are a step in the pan, and then all three will go in the oven at different times. Serve with butter.

First, turn the oven to 200 degrees. Prepare three pieces of aluminum shaped like a boat. Place a pan on the fire burning and leave little olive oil and add a clove of garlic, split in two, then add salt and mark well the well-filled breasts. Remove garlic and pour it into the first piece of aluminum foil, place the flakes of butter and close by way of the bundle.
Wipe skillet with paper, or use another. Pour three tablespoons of thyme honey to dissolve. Then add the legs and mark them very carefully. Once salted caramel and pour it marked the second aluminum boat, add a little thyme, a few knobs of butter and close the bundle. Drain the tenderloin
dall'infuso tea smoked. Place them in the last sheet of aluminum used previously to add a little tea, a few flakes of butter, a little salt and close to bundle it well.

At this point begins the phase of baking, the times are approximate, but on average if you have marked for good in various parts of the pan there should be no problems. We start by putting on a baking sheet with the bundle thighs for 8 minutes, passati i quali aggiungeremo nel forno il fagotto con i petti e conteremo per altri 7 minuti. Da ultimo aggiungeremo il fagotto con i filetti per altri 3 minuti. Il totale di cottura per le cosce sarà quindi di 18 minuti, per i petti di 10 e per i filetti solo di 3.

A cottura ultima potremo impiattare usando la salsa di melone di Cantalupo su cui adagiare i petti ripieni, quindi porre le cosce su cui verseremo un po di salsa di cottura raccolta dal fagotto di stagnola e da ultimo il filetto su cui verseremo parimenti un po di salsa di cottura raccolta anche essa dalla stagnola.

Sunday, April 11, 2010

Sinus Tachycardia In A 4 Year Old

pesto pistachios


When is Easter Monday and you're home in the company of a maiden and got nothing, say nothing, for cooking you do? Simple to use what little they are available. And what was available on Easter Monday? Not much, but enough to make a good (though I should not be the one to say it, but you fact) pasta (fusilli Garofalo) pistachio pesto.

400 grams of pistachio natural
40 grams of fresh ripe tomato
3 or 4 ice cubes
extra virgin olive oil q.
b.
salt pepper to taste
chopped pistachio natural taste

Toast 200g of pistachios and chilly wait for it (if you have a blast it's time to use it). Place all the pistachios (roasted or not) in a blender, add extra virgin olive oil and start the blades. As soon as the blades are moving quickly to add the first ice cube, so if you need more oil, chili, more ice, more oil if needed, add salt and then add more ice if needed, more oil and a little of everything else until mixture is smooth and creamy.
Boil pasta in salted water. Shortly before draining the pasta aside a bit of cooking water. So to bounce around the dough in the pan by adjusting the density of the pesto, adding a little of the cooking water previously set aside.
Serve with a little sprinkling of chopped pistachios in water.




As seen in the photo above have combined to pitch a good rosé wine: Franciacorta Rosé, Ricci Curbastro . 80% Pinot Noir, 20% Chardonnay for sparkling wine, a salmon-colored and very intriguing for chains of bubbles. Nose emerge from just a hint of red berries and puffs of mace, and then notes of cantaloupe and tangerine flavors that foreshadow a slight minerality clear. The mouth is dominated by a pretty nice essai known fresh / tasty bouquet already warned that holding the nose. The combination is very pleasant, bubbles and freshness help remove grease and to contain the trend of sweet foods and the aroma complements and enhances the intensity of the pistachio.

Monday, April 5, 2010

Location Of Kemps Yogurt

Creme Brulee


There are ideas that you think and you already know how to implement them, there are ideas that you already know flavor that will have (assuming that ideas can have a taste), while others need their time to settle and to delineate the boundaries of taste and form, others know that you do not know how they should ideally be the beginning as a technical achievement. A creme brulee
know that scampi, which is not a sweet but should have a strong tendency sweet, that needs to be savory without being too salty due to burn sugar and cream to thicken, a cream that is able sea \u200b\u200bwithout exaggerating too sharp marine these hints. So a dish out of balance, a dish that could become tedious or, worse still unpleasant to any excess.

a dish that requires support outside of the pot, it may seem absurd to the aid of a slice of ham, as in this case, or even
a small fruit salad salty, I think of ripe cantaloupe or yellow apple, or watermelon in the summer.

But 'nuff said, here's how to prepare it:

1 / 2 liter cream
100 ml milk 4 eggs
10 medium sized prawns
30 grams of sugar
20 grams of sea salt 1 lemon
Maldon salt to taste chopped pistachios taste
ham pork Nebrodi black qb


Preheat oven to 150 degrees and bring to boil a pot of water. Beat the egg yolks with sugar, salt and finely grated zest from one lemon untreated (Always take care not to scratch the white). Blend the flesh of the shrimp with a little milk and cream, then strain through a fine strainer and stir the mixture of egg yolks. Bring the cream to 80 degrees and mix the compound previously obtained. Finally fill the casserole (I used the cocotte smaller than what we use to make sweet creme brulee and I filled 10) placed in a pan with high sides. Pour the boiling water into the pan
so as to cover the casserole for 3 / 4, and then inform for 40 minutes.
cooked, let cool the casserole, cover with plastic wrap and keep refrigerated.

just before serving sprinkle of white sugar, burn with the tool and sprinkle with a little Maldon salt flakes and chopped pistachio natural. Serve by placing next to a slice of ham casserole pork Nebrodi black or any other combination.



We ate this as an aperitif, bevendoci GAVI together a Montessori 1998, Tenuta La Giustiniana. The great freshness of the wine despite his 12 years and has held up admirably resisted the fatness and the trend of sweet cream, while its rich bouquet of advanced mineral notes, ripe fruit and yellow flowers (honey almost a thousand flowers) has held up and exalted without equal the aroma of marine shrimp. And there are still those who argue that white wines can not stand aging?!? O can not be combined with dishes 'important' and 'challenging' (gustatory speaking of course)??